Here is an excellent soundboard recording of the Gladiators performing some of their most beloved tunes at The Haunt in Ithaca, NY on February 27, 1987. Fantastic set which also includes several Bob Marley tunes and a Yabby You tune as well. Also included is an article on the group which was published in the October 2, 1979 issue of New Musical Express.
Rich Man Poor Man Beggar Man Thief
Sun Is Shining
War/No More Trouble/Crazy Baldhead/Get Up Stand Up/Exodus
Fire Deh A Mus Mus Tail
Peter van Arnhem
As we continue to mark the 70th anniversary of Bob Marley we share with you a rarely circulated interview which catches Marley in Oakland, CA. The interview was conducted by Jeff Cathrow and Eugenia Polos in a motel in San Fransisco most likely on May 29/30, 1976 as Bob was in town to play Oakland’s Paramount Theatre. He will play the Santa Barbara County Bowl on May 31, 1976 and then on to Europe where the band plays the Sunrise Festival in Offenburg, Germany on June 6, 1976.
It is a fascinating interview as Marley gives his reasons for not playing many shows in his native Jamaica over the previous several years (“you no get good equipment. Y’know, you can’t fuck aroun’ like a foolish one. It ain’t funny, y’know?”). He also speaks about the government as vampires (the govamint is a t’ing ya call, uh, ever ‘ear ’bout Jacula?…Govamint—vahmpire.”). These words would later appear in the song “Babylon System” from the Survival album.
Bob also talks at length about his father, a white military man from England, which is something he rarely talked about in an interview such as this one. It is while discussing his father that he says something profound, something that indicates a type of self-awareness and duty to fellow man:
“For out of black and white came I. And I say, ‘Black and white must come together.'”
It is this type of self-awareness, that his existence – the gift he has been given to communicate his message to the world through music – that really sets Bob apart from the other rock and roll artists of our time.
Click on the image to read…
The Berkeley Barb, July 22-28, 1977
Reggae music maintains that music is a weapon to be used for social change and revolution. Roger Steffens spent the past thirty years preserving a voice that calls out for equality and human rights—a voice that governments and authorities have tried to silence for years. The film LIVICATED is on a mission to bring the story of Roger’s archives and reggae’s battle to the public’s attention and help save the history of an entire culture.
Watch trailer @ http://www.Livicated.com
Featuring Interviews with: Carlos Santana, Ben Harper, Neville Garrick (Bob’s Art Director) and Roger Steffens. With Rare and Unreleased footage of Bob Marley, Peter Tosh, Jimmy Cliff, Fela Kuti and Miriam Makeba.
This music was the voice of the revolution, and its uncompromising demand for civil rights quickly spread around the world, while being ignored at home. Jamaica has not kept this history alive—Roger has.
Support Livicated @ http://www.IndieGoGo.com
Big up my friend Jesse Serwer at LargeUp.com for sharing with us their coverage of the festivities in Jamaica to mark the 70th anniversary of Bob Marley’s birthday.
Jesse and Martei Korley also covered the events for Rolling Stone.
On one of the coldest nights of the year a near-capacity crowd showed up at Washington DC’s 930 Club to witness Jesse Royal‘s debut live performance in the US. The “Small Axe” performed a blistering set of singles from his popular mixtapes backed by the incredibly adept and well-rehearsed King Suns band.
Royal was in town to play the Bob Marley Birthday Bash on Friday, February 6, 2015 – the 70th anniversary of the birth of Bob Marley (February 6, 1945). Also on the bill were legendary “reggae ambassadors” Third World, who lost their beloved lead singer William “Bunny Rugs” Clarke last February. Virginia’s own Dub Architect served up the crowd with a heavy set of live dub mixes, including his own dub mixes of several of Bob Marley’s most beloved tunes.
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